We are the assumptions we make about ourselves.
Narrative
Regret and the fear of regret have influenced my life and my decisions significantly for a long time.
I have struggled for most of my life with regret over my failure to act or decide in such a way that achieves the absolute optimum outcome. This has prevented me from taking future action and has fed miserable nostalgia for what might have been. This could take the form of saying the not-quite-right thing in a given moment, buyer’s remorse, or wishing I had gone out instead of staying in on a given night ten years ago. This regret recalls events from decades past to chip away at the present. The memory of things I should or should not have done visit me constantly.
Some would-be (and ill-at-practice) consolers would say “it’s all in the past.” This is true. However, to remember is to experience as a present reality. Think now of a great personal achievement, or an excellent moment from life: The first time you held your first born, a race you won, an arduous project you completed. As you revisit those moments in your mind, thinking of every detail, every movement you made, your body replays the sensorial and physiological realities attending that moment. You experience again the same affects: joy, elation, hope, accomplishment.
I won’t trouble you to consider lower moments of your life, but suffice to say that one would experience their affects as a present reality all the same.
Meaning
I’ve never been an avid gamer, but I love a well told story. I am currently playing through The Witcher 3: Wild Hunt, a heroic journey inspired by nordic folktales. The game is based on a book series by Andrzej Sapkowski and is filled with brief side-adventures which are their own self-contained storylines. Last night I encountered the particular tale of Udalryk and the Hym. (Hym rhymes with “rhyme”)
While addressing his main quest, the Witcher, Geralt, encounters the Jarl Udalryk who has been plagued by terrible nightmares which have intensified over the years. The Jarl (the Nordic “J” makes a “y” sound: “yarl”; a Jarl is akin to a Duke or Lord), covered in scars and bruises, is convinced that the gods speak to him through cryptic nightmares to demand sacrifices from him. The Jarl, once strong and proud, wimpers as he interprets the Voices as requiring him to scar himself or break his own bones. They demand self-mutilation and he complies. Rumors abound that the Jarl is touched by the gods, or perhaps just insane. From lack of restful sleep and constant physical pain, the Jarl struggles to focus, converse, or contend with current realities. His entire world is confined to interpreting and fulfilling the demands of the voices in his nightmares. Hardly an existence worth living, but so driven is he to appease the voices, the Jarl persists.
Geralt investigates the cause of these voices and eventually determines that the Jarl is possessed by a Hym, a demon which latches on to someone who has committed some atrocity. The demon feeds on the person’s guilt, following them as their shadow, and tormenting them to madness or suicide. The Hym reminded the Jarl of the death of his brother, how terrible that Udalryk did not prevent it, and that he ought to make amends by harming himself. In this way, the Hym gained greater leverage as it could now point to the scars as further reminders and evidence to the Jarl of what he had done.
There are two ways to dismiss a Hym, which lives as a shadow following the afflicted. The first is to draw the spectre out into light and combat it directly. The other is to trick the Hym into leaving the afflicted and latching onto someone else. This is accomplished by committing some atrocity in front of the Hym– the Hym will then latch on to that new person and begin to haunt them instead. However, the atrocity will have been a ruse, and not really committed, so the newly targeted person would have nothing to regret. The Hym, having no guilt on which to feed, would be forced to leave. Either option results in separation from the parasitic Hym and freedom from the eternity of a moment.
From my teenage-poet years:
The eternity of a moment passes
As I blink,
Residing still, persistent,
In the hallow of memory.
Being
The story of the Hym tells us two things about ourselves as humans.
- We are subject to the conditions of the world around us.
- We can influence those conditions which have been set upon us.
The Jarl was subject to a condition: the Hym. It called on him to remember darker parts of his life and experience them again as a present reality. The Jarl’s experience of reality had been constrained to include only his past error and the voices that called for sacrifice. As this was his only reality, he could not help himself. It was only in community, through Geralt and friends, that he was able to begin influencing the conditions which had been set upon him.
The world will at times set upon us conditions which we do not choose. In these times, we must hope that our communities can help to overcome and influence these conditions so that we all may thrive.